Introduction:
A comprehensive, full-time degree program that enables students to become audio engineers with globally-recognized certifications, and the ability to build a career in the rapidly growing media and entertainment industry as audio engineers. The program also enables students to pursue entrepreneurship opportunities by providing skills to set up their own audio production facilities.
Objectives:
• Understand nature & behavior of sound in the acoustic and digital domain.
• Gain in-depth understanding of the Physics of Sound and Recording Studio Operations
• Gain in-depth understanding of the recording signal flow
• Gain in-depth understanding of Pro Tools | Ultimate
• Gain understanding of studio, stage, and outdoor sound equipment systems including Avid Certifications
• Gain understanding of mixing and mastering audio tracks
• Gain ability to work in the live sound scenarios
• Gain understanding of Recording and Mixing sound in a commercial studio
• Gain ability to work with immersive audio like
• Gain understanding of maintenance and troubleshooting of Pro Tools Systems
Program Highlights:
- Access to the world-class commercial studio with cutting edge technology equipment.
- Labs with the most recent version of Digital Audio Workstation (DAW) and Plug-ins.
- Training on the entire curriculum of Avid Pro Tools and other Avid suites of audio products.
- Mixing work flows using Avid S6 control surface.
- Dolby work flows for producing immersive Dolby Atmos mixes.
- Reference materials for students through an online portal.
Eligibility :
12th Pass (Any Stream) with minimum of 50% marks
Duration :
3 years – Full time
Evaluation Method :
Semester pattern – 60% Internal & 40% External, 50% passing
Medium :
English
Fee Structure for the Academic Year 2022 – 23 :
| Year | Tuition | Laboratory /Practical | Admission | Exam | Eligibility | Library | Total |
| First Year | 100000 | 3,95,000 | 1000 | 3000 | 500 | 500 | 5,00,000 |
| Second Year | 100000 | 3,95,000 | 1000 | 3000 | – | 500 | 5,00,000 |
| Third Year | 100000 | 3,95,000 | 1000 | 3000 | – | 500 | 5,00,000 |
Opportunities at the Exit Point of program:
• Studio Engineer
• Post Production Engineer – Film and TV
• Radio Broadcast Engineer
• Location Sound Recordist
• Sound Designer for Film and TV
• Foley Recording Engineer
• Surround Sound Mix Engineer
• Production Sound Recordist, Mix Engineer
• Re-recording Mix Engineer
• Mastering Engineer
• Live Sound Engineer
• Audio Services Consultant
• Music Business Entrepreneur
Deposit of Rs. 3,000/- taken as caution money for library.
Note :
Deposit of Rs. 10,000/- taken as caution money for media lab & equipments.
Program Structure
(Semester – 1)
| Paper no. | Subject Code | Name of Subject | Category of Sub. | External Marks | Internal Marks | Total | Credits |
| Paper-I | BSCA 22-1001 | Introduction to Mass Communication | Core | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-II | BSCA 22-1002 | Language Skills | AECC | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-III | BSCA 22-1003 | Sound Theory | DSEC | 40 | 60 | 100 | 3(TH)
0(PR) |
| Paper-IV | BSCA 22-1004 | Building Musical Sense | DSEC | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-V | BSCA 22-1005 | Studio Environment | AECC | 20 | 30 | 50 | 1(TH)
2(PR) |
| Paper-VI | BSCA 22-1010 | Physical Fitness (PR) | Skill | 20 | 30 | 50 | 0(TH)
2(PR) |
| Total | 200 | 300 | 500 | 03(TH)
17(PR) |
(Semester – 2)
| Paper no. | Subject Code | Name of Subject | Category of Sub. | External Marks | Internal Marks | Total | Credits |
| Paper-I | BSCA 22-2001 | Mixing Console Operations | Core | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-II | BSCA 22-2002 | Microphones
|
DSEC | 20 | 30 | 50 | 1(TH)
3(PR) |
| Paper-III | BSCA 22-2003 | Pro-Tools Fundamentals-I (PR) | DSEC | 60 | 90 | 150 | 0(TH)
5(PR) |
| Paper-IV | BSCA 22-2004 | Pro-Tools Fundamentals-II (PR) | Core | 60 | 90 | 150 | 0(TH)
5(PR) |
| Paper-V | BSCA 22-2005 | Communication & Plastic Arts | AECC | 20 | 30 | 50 | 1(TH)
1(PR) |
| Total | 200 | 300 | 500 | 03(TH)
17(PR) |
(Semester – 3)
| Paper no. | Subject Code | Name of Subject | Category of Sub. | External Marks | Internal Marks | Total | Credits |
| Paper-I | BSCA 22-3001 | Recording Techniques (PR) | Core | 40 | 60 | 100 | 0(TH)
4(PR) |
| Paper-II | BSCA 22-3002 | Development Communication & Field Work | AECC | 20 | 30 | 50 | 1(TH)
2(PR) |
| Paper-III | BSCA 22-3003 | Pro Tools Production –I (PR) | DSEC | 60 | 90 | 150 | 0(TH)
5(PR) |
| Paper-IV | BAPA-19-3004 | Audio Processors (PR) | DSEC | 40 | 60 | 100 | 0(TH)
4(PR) |
| Paper-V | BAPA-19-3006 | Media Management | AECC | 40 | 60 | 100 | 1(TH)
3(PR) |
| Total | 200 | 300 | 500 | 02(TH)
18(PR) |
(Semester – 4)
| Paper no. | Subject Code | Name of Subject | Category of Sub. | External Marks | Internal Marks | Total | Credits |
| Paper-I | BSCA 22-4001 | Media Laws & Ethics | Skill | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-II | BSCA 22-4002 | S6 Mixing Techniques (PR) | Core | 40 | 60 | 100 | 0(TH)
4(PR) |
| Paper-III | BSCA 22-4003 | Theatre Communication | AECC | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-IV | BSCA 22-4004 | Pro Mixing (PR) | AECC | 40 | 60 | 100 | 0(TH)
4(PR) |
| Paper-V | BSCA 22-4005 | Audio Mastering (PR) | DSEC | 40 | 60 | 100 | 0(TH)
4(PR) |
| Total | 200 | 300 | 500 | 02(TH)
18(PR) |
(Semester – 5)
| Paper no. | Subject Code | Name of Subject | Category of Sub. | External Marks | Internal Marks | Total | Credits |
| Paper-I | BSCA 22-5001 | Communication Research | AECC | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-II | BSCA 22-5002 | Pro Tools Production (Music or Post) (PR) | Core | 40 | 60 | 100 | 0(TH)
5(PR) |
| Paper-III | BSCA 22-5003 | Field Workflows (Live Sound/Location Audio) (PR) | AECC | 40 | 60 | 100 | 0(TH)
3(PR) |
| Paper-IV | BSCA 22-5004 | Dolby Workflows (PR) | DSEC | 40 | 60 | 100 | 0(TH)
4(PR) |
| Paper-V | BSCA 22-5005 | Introduction to Media Composer (PR) | Skill | 40 | 60 | 100 | 0(TH)
4(PR) |
| Total | 200 | 300 | 500 | 01(TH)
19(PR) |
(Semester – 6)
| Paper no. | Subject Code | Name of Subject | Category of Sub. | External Marks | Internal Marks | Total | Credits |
| Paper-I | BSCA 22-6001
BSCA 22-6001 |
Environmental Studies
OR Resources & Environment (MOOC-Swayam) |
AECC | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-II | BSCA 22-6002 | S6 Mixing Workflows (PR) | Core | 40 | 60 | 100 | 0(TH)
5(PR) |
| Paper-III | BSCA 22-6003 | Pro Tools system Support (PR) | DSEC | 40 | 60 | 100 | 0(TH)
3(PR) |
| Paper-IV | BSCA 22-6004 | Soft Skills (PR) | Skills | 20 | 30 | 50 | 0(TH)
2(PR) |
| Paper-V | BSCA 22-6005 | Book Review on Lokmanya Tilak & Media | Skill | 20 | 30 | 50 | 1(TH)
0(PR) |
| Paper-V | BSCA 22-6006 | Advance Production Techniques (Music/Post) (PR) | DSEC | 40 | 60 | 100 | 0(TH)
5(PR) |
| Total | 200 | 300 | 500 | 02(TH)
18(PR) |
