Introduction:
A comprehensive, full-time degree program that provides students the ability to build a career in the rapidly growing media and entertainment industry, providing employability as well as entrepreneurial prospects.
Objectives:
• Gain in-depth understanding of the Physics of Sound, Recording Studio Operations, Film Sound, Live Sound, Music Production
• Gain understanding of Digital Audio Workstations (DAW) for music production
• Gain understanding of different musical genres
• Gain understanding of musical approach for different mediums
• Gain ability to compose, arrange, and program music for media
• Gain understanding of studio, stage, and outdoor sound equipment
• Gain ability to creatively use the Technology/Software to compose Music
• Gain ability to creatively use the Technology/Software to design soundscape for Films, Television, and Games
• Gain understanding of mixing and mastering audio tracks
• Gain ability to work in the live sound scenarios
Program Highlights:
• Practical-oriented course curriculum
• Access to our professional Music Production Lab and Studio
• Students get to work in our 7.1 recording and mixing studios for college assignments
• Access to Workshops conducted by industry professionals
• Individual practical assignments to test the knowledge of students and also help them build confidence in their skills
• Internship and placement support
Eligibility:
12th from any stream with minimum 50% marks
Duration :
3 years
Evaluation Method :
Semester pattern – External – 40%, Internal – 60% & 50% passing
Medium :
English
Fee Structure for the Academic Year 2022-23 :
| Year | Tuition | Laboratory /Practical | Admission | Exam | Eligibility | Library | Total |
| First Year | 70,500 | 1,74,000 | 2000 | 3000 | 1000 | 500 | 2,51,000 |
| Second Year | 70,500 | 1,74,500 | 2000 | 3000 | – | 500 | 2,51,000 |
| Third Year | 70,500 | 1,74,500 | 2000 | 3000 | – | 500 | 2,51,000 |
Deposit of Rs. 3,000/- taken as Caution money for Library.
Note :
Deposit of Rs. 10,000/- taken as Caution money for Media Lab & Equipments.
Opportunities at exit point of programme
• Music programmer / arranger
• Independent Music Composer
• Sound Designer for films, web-series, etc.
• Sound Designer for games
• Live Sound Engineer For Concerts And Events
Program Structure
(Semester – 1)
| Paper No. | Subject Code | Name of Subject | Category of Sub. | External Marks | Internal Marks | Total | Credits |
| Paper-I | BAMP 22-1001 | Introduction to Mass Communication | Core | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-II | BAMP 22-1002 | Language Skills | AECC | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-III | BAMP 22-1003 | Sound Theory | DSEC | 40 | 60 | 100 | 3(TH)
0(PR) |
| Paper-IV | BAMP 22-1004 | Building Musical Sense | DSEC | 40 | 60 | 100 | 3(TH)
1(PR) |
| Paper-V | BAMP 22-1005 | Studio Environment | AECC | 20 | 30 | 50 | 1(TH)
2(PR) |
| Paper-VI | BAMP 22-1006 | Physical Fitness (PR) | Skill | 20 | 30 | 50 | 0(TH)
2(PR) |
| Total | 200 | 300 | 500 | 09(TH)
11(PR) |
(Semester – 2)
| Paper No. | Subject Code | Name of Subject | Category of Sub. | External Marks | Internal Marks | Total | Credits |
| Paper-I | BAMP 22-2001 | Mixing Console Operations | Core | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-II | BAMP 22-2002 | Introduction to Logic (PR) | DSEC | 40 | 60 | 100 | 0(TH)
4(PR) |
| Paper-III | BAMP 22-2003 | Music Composition | DSEC | 60 | 90 | 150 | 2(TH)
4(PR) |
| Paper-IV | BAMP 22-2004 | Introduction to Ableton Live (PR) | Core | 40 | 60 | 100 | 0(TH)
4(PR) |
| Paper-V | BAMP 22-2005 | Communication & Plastic Arts | AECC | 20 | 30 | 50 | 1(TH)
1(PR) |
| Total | 200 | 300 | 500 | 04(TH)
16(PR) |
(Semester – 3)
| Paper No. | Subject Code | Name of Subject | Category of Sub. | External Marks | Internal Marks | Total | Credits |
| Paper-I | BAMP 22-3001 | Sound Design | Core | 40 | 60 | 100 | 1(TH)
4(PR) |
| Paper-II | BAMP 22-3002 | Development Communication & Field Work | AECC | 20 | 30 | 50 | 1(TH)
2(PR) |
| Paper-III | BAMP 22-3003 | Introduction to Music Business | DSEC | 40 | 60 | 100 | 3(TH)
1(PR) |
| Paper-IV | BAMP 22-3004 | Introduction to Sound Engineering | DSEC | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-V | BAMP 22-3005 | Media Management | AECC | 40 | 60 | 100 | 1(TH)
3(PR) |
| Total | 200 | 300 | 500 | 07(TH)
13(PR) |
(Semester – 4)
| Paper No. | Subject Code | Name of Subject | Category of Sub. | External Marks | Internal Marks | Total | Credits |
| Paper-I | BAMP 22-4001 | Media Laws & Ethics | Skill | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-II | BAMP 22-4002 | Production Styles | AECC | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-III | BAMP 22-4003 | Creative Production and Remix (PR) | Core | 40 | 60 | 100 | 0(TH)
4(PR) |
| Paper-IV | BAMP 22-4004 | Pro Mixing (PR) | AECC | 40 | 60 | 100 | 0(TH)
4(PR) |
| Paper-V | BAMP 22-4005 | Audio Mastering (PR) | DSEC | 40 | 60 | 100 | 0(TH)
4(PR) |
| Total | 200 | 300 | 500 | 05(TH)
15(PR) |
(Semester – 5)
| Paper No. | Subject Code | Name of Subject | Category of Sub. | External Marks | Internal Marks | Total | Credits |
| Paper-I | BASA-19-5001 | Communication Research | AECC | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-II | BASA-19-5002 | Composing for various Media (PR) | Core | 40 | 60 | 100 | 0(TH)
4(PR) |
| Paper-III | BASA-19-5003 | Introduction to Live Sound (PR) | AECC | 40 | 60 | 100 | 0(TH)
4(PR) |
| Paper-IV | BASA-19-5004 | Dolby Atmos Workflows for Music | DSEC | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-V | BASA-19-5005 | Marketing & Branding | Skill | 40 | 60 | 100 | 1(TH)
3(PR) |
| Total | 200 | 300 | 500 | 03(TH)
17(PR) |
(Semester – 6)
| Paper No. | Subject Code | Name of Subject | Category of Sub. | External Marks | Internal Marks | Total | Credits |
| Paper-I | BAMP 22-6001 | Environmental Studies
OR Resources & Environment (MOOC – Swayam) |
AECC | 40 | 60 | 100 | 1(TH)
3(PR) |
| Paper-II | BAMP 22-6002 | Advance Composition (PR) | Core | 40 | 60 | 100 | 0(TH)
4(PR) |
| Paper-III | BAMP 22-6003 | Production Portfolio I (PR) | DSEC | 40 | 60 | 100 | 0(TH)
4(PR) |
| Paper-IV | BAMP 22-6004 | Soft Skills (PR) | Skills | 20 | 30 | 50 | 0(TH)
2(PR) |
| Paper-V | BAMP 22-6005 | Book Review on Lokmanya Tilak & Media | Skills | 20 | 30 | 50 | 1(TH)
0(PR) |
| Paper-VI | BAMP 22-6006 | Production Portfolio II (PR) | DSEC | 40 | 60 | 100 | 0(TH)
5(PR) |
| Total | 200 | 300 | 500 | 02(TH)
18(PR) |
